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Chapter 2 - THE NAME THEY WANTED ME TO SAY

I asked Detective Park to close the hospital door.

She did, then returned to the chair beside my bed and waited. Victor remained near the window, his phone still in her hand. They looked nothing alike: the detective with her plain jacket and careful notebook, Victor with his rolled sleeves and the scars that made even his stillness seem dangerous. Yet neither interrupted while I decided whether I could stand hearing the answer.

"Who knew I was working at the bar?" I asked.

"The people who hired you, obviously," Park said. "We're looking into anyone else who had access to the staff schedule."

"Victor hired me. Eddie was there. Marcus came in when I filled out the paperwork." I swallowed. "My father couldn't have known. He hasn't called since I ran."

"You don't know that he didn't know," Park said. "You know he didn't contact you. Those aren't the same thing."

I hated her for being right. My father had been absent so often that absence felt like proof of anything I needed it to prove.

Park turned to Victor. "That photograph of the clinic. Where is the original?"

"With my sister's belongings in storage. I'll have it delivered to your evidence office, with the envelope and the note she wrote."

"Please don't have anyone alter the material. We need the whole context."

He nodded. It was strange to see a man whose employees barely dared to look up accept instructions without arguing. I wondered whether he would have listened before the table broke.

After she left, Victor asked whether I wanted him to go.

"Not yet," I said. "Tell me about the missing girls."

He pulled a chair away from my bed rather than closer. "My sister worked with a mobile clinic funded by several private donors. She visited towns where families couldn't easily get medical care. San Paloma was one of them. She started finding patients whose names appeared on treatment records after they had moved away. She said the records weren't mistakes. She called me, angry, and asked whether I knew any of the people funding the clinic."

"Did you?"

"One. Calder Rusk. Owns freight yards, storage companies, and a chain of staffing offices. He used to arrange transport for my businesses."

The name hit me like a hand across the face. "Rusk bought my father's gambling debt."

"Are you certain?"

"He came to our trailer himself. White truck, blue tie, gold watch. My father called him Mr. Rusk. I remember because my father was never polite to anyone."

Victor looked toward the dark window. "I ended my agreements with him years ago. I thought that was the end of it."

"You thought wrong."

"Yes."

He did not defend himself. I was not sure whether that made him honest or merely skilled at choosing the right response.

The next morning, Park returned with a woman from the hospital's victim-services office. Her name was Helena Soto. She explained how to request a protective order, how to arrange transportation without using the address on my old employment file, and how to preserve threatening messages. She also told me that an assault charge could proceed without my having to accept help from Victor.

"That matters," she said. "You get to decide whom you rely on."

I told her I wanted to leave Houston. Then I looked at my bandaged hands and admitted I did not know where I could go. She did not turn that uncertainty into consent for anything. She handed me three options and gave me time.

By afternoon, a public defender contacted by one of the attackers claimed I had provoked the incident and offered to withdraw a civil claim if I signed a statement saying I had mistaken the men's intentions. The document arrived at the nurses' station. Park took a copy after I refused to sign.

"They're trying to create a record," she said. "That can tell us something about who is directing them."

"If I don't sign, what happens?"

"We keep investigating. I won't pretend the system is quick."

Victor's lawyer, Anita Solis, came to the hospital to discuss my wages and compensation. She was a broad-shouldered woman with silver earrings who introduced herself as counsel for the bar, not for me.

"If you want to sue my client, you should find your own lawyer," she said. "That's the answer I'm required to give you and the answer you deserve."

I almost laughed. Everybody was telling me whom not to trust. It was the first useful thing about being surrounded by powerful people.

I asked her for a copy of the employee schedule.

She hesitated. "Why?"

"Because whoever paid Rafe knew my shift. Someone printed my name where it shouldn't have been."

She considered it. "I'll have the originals preserved and ask the detective how to provide a copy appropriately."

That evening I was moved into a small protected residence arranged through Helena, not one of Victor's properties. The woman managing the residence asked me to turn off location sharing and leave my old phone powered down except when documenting evidence. I took her advice. It felt unbearable to surrender the only number my father knew, but fear had already taken enough from me.

The new room had clean sheets and a window that looked onto a parking lot. There was no gold trim, no private guard stationed outside, no smell of spilled beer. I lay awake listening to traffic and tried to remember the last time my life had been ordinary.

Before dawn I dreamed of my mother's hands. She had counted money on the kitchen table when I was little, dividing it into envelopes for rent, groceries, electricity, and the church collection. She believed in paying what you owed. My father believed in winning back whatever he had lost.

I woke with my own hand pressed against my ribs.

On the third day, Park called. The police had reviewed the video seized from Rafe Cordero's phone. He had begun recording before his friends touched me. His camera stayed aimed at my face through the first insults. At one point, an unseen voice instructed him to ask where I was from.

"Was it one of the other men?" I asked.

"We can't establish that yet. The voice may have come through an earbud or another person's phone. We have technicians reviewing the source."

"Why would they care about my hometown?"

"I have a theory," she said. "But I'd rather give you facts. Their messages show instructions to provoke you into naming Raul Reyes and to make Victor intervene physically. They expected violence."

I looked at the bruises around my wrist. "So I was bait."

"You were assaulted. Whoever planned it treated you as bait, but that isn't all you are."

She let me sit with that for a moment. Then she said another officer wanted to interview me about events in San Paloma. I agreed, on the condition Helena could be there.

The officer was a state investigator named Tomas Ibarra. He had spent seven months working complaints about recruitment offices promising good-paying warehouse jobs to young women from border towns. The women would travel to Houston, then disappear from their regular addresses. Some families thought they had moved on. Others had been told to stop asking.

"We don't have evidence that every missing person was kidnapped," he said. "But the same employers and vehicle routes show up in several complaints. Your father's name appears on a driver's manifest."

He opened a folder to a page with faded type. My father's signature was written beneath a delivery receipt for a vehicle carrying six passengers.

"He was driving people?" I whispered.

"Possibly. This is a copy, and we don't yet know whether it's genuine."

I recognized the curling tail of his signature. That didn't mean he had put it there. He used to sign checks so often that half the town could have copied him.

"When was it?"

"Nine months ago."

A month before he disappeared.

I thought of the men at our trailer, their insistence that I could work off what he owed. Debt had always sounded like the reason. What if the debt was only a door they used to get people into vehicles?

"Did you know my mother?" I asked Ibarra.

He blinked. "No."

"She died when I was sixteen. I was always told cancer was unlucky, that there was nothing anybody could do. The night before she died she asked me to promise I would never let another person sign my name for me. I didn't understand why she'd say that."

Ibarra wrote it down. "Do you know whether she was involved in your father's work?"

"She kept his records. Before she got sick she typed invoices at home."

I had never considered those years important. To a teenager, my mother's papers were stacks of boring white sheets that blocked the kitchen counter. But I remembered her sorting them into two tins: one red, one green. After her funeral, my father burned the contents of the red tin behind our trailer. The green tin disappeared.

"Do you still have any of her belongings?" Ibarra asked.

"A recipe card. A photograph. A sewing kit. That's about it."

I had kept the sewing kit through eight months of moving between shelters, wrapping it in socks so the small metal scissors wouldn't cut my bag. It was still in the duffel beside my bed.

After Ibarra left, I opened it. There were needles, buttons, yellow thread, and a thimble worn thin at the rim. Beneath the cardboard lining, folded so tightly it seemed part of the box, lay a strip of green paper.

I unfolded it with trembling fingers. Four names were written in my mother's compact handwriting. Two were unfamiliar. One was Isabel Marshall.

The last was mine.

Beside each name stood a date, a number, and the same mark I'd seen around Rafe Cordero's wrist: a wheel crossed by three blue strokes.

Next to mine, my mother had written one sentence in Spanish.

May you like

Don't let them take her when she turns twenty-four.

I had turned twenty-four eleven days before I started at Marshall's Bar.

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