Chapter 2 - WHAT THE FILM DIDN'T SHOW

The photograph stayed on my phone as I descended the staircase.
Whoever sent it wanted me to know they could see me. They probably hoped I'd run. I considered the possibility seriously. A good coach knows the difference between courage and refusing to recognize danger, and I didn't owe a criminal organization either one.
At the bottom of the stairs, Leo was practicing footwork between two strips of blue tape. Enzo leaned beside the doors, eating sunflower seeds. My phone looked ordinary in my hand, a rectangle of black glass containing the sudden collapse of an ordinary afternoon.
“Everything okay?” Leo asked.
“Not quite.”
He stopped moving. “Did Dad fire you?”
“No. Has anyone told you how you’ll get home?”
“Rico drives me.”
A young guard near the garage lifted a hand. He had remained silent during the earlier jokes. Rico looked nervous now, and I wondered whether silence in this place was a kind of survival.
I reached the exit and took a breath of cold Chicago air. A white van idled across the road, its windows too dark to see through. That might have meant nothing. After an anonymous threat, everything looked deliberate.
I photographed the van's license plate and forwarded the message to my friend Dana Park.
Dana was a public defender, a former college roommate, and the only person I knew who could tell me whether an anxious suspicion had crossed the line into a legal emergency without making me feel foolish. I added: If I don't call tonight, please check on me.
She called before I reached my car.
“What did you get yourself into?”
“A job that pays well.”
“Gia.”
“There's a medical file involved. Somebody wants me to stop asking about it.”
“Do not copy anything confidential. Don't confront anyone. And don't go home if you think you're being followed. Go somewhere public and call the police.”
“I know.”
“Knowing and doing aren't the same.”
My hands were shaking when I ended the call. I waited in the car with the doors locked until the van pulled away. Then I drove to my apartment in Pilsen, made tea, and tried to be rational.
I had met Mateo Moretti only twice: once when he interviewed me for Leo's training, and again that afternoon. I knew the public reputation of his organization. I also knew a fourteen-year-old boy looked at me as though learning how to escape a hold might make the rest of his life less frightening.
Those things could both be true.
The next morning, I took my phone to the neighborhood police station. An officer recorded the message and the image. He didn't promise instant results. He gave me a case number, advised me to preserve everything, and told me to call if the sender contacted me again. It was less dramatic than television and more useful.
Then I went to my wrestling club.
Southline Grappling occupied the second floor of an old manufacturing building. We had cracked mirrors, borrowed mats, and a radiator that banged every time the temperature dropped. On the wall hung photographs of teenagers who had earned scholarships or simply stayed with the sport long enough to discover they were capable of hard things.
My assistant coach, Nia Brooks, was sorting loaner shoes.
“You look like somebody canceled your birthday,” she said.
“Close. Somebody photographed me without asking.”
I told her enough to explain the threat, leaving out the medical details Mateo had given me in confidence. She listened without interrupting.
“Quit,” she said.
“I might.”
“You don't sound convinced.”
“There's a kid involved.”
“There are twenty-six kids involved here. Don't forget the ones who already trust you.”
She was right. That was what bothered me. I had taken the private job because Southline needed a new roof and the Morettis offered more money for three months than I earned in a year of ordinary classes. A check could change the club. It could also make me think I could outrun somebody else's consequences.
At ten, a black car parked outside the gym. Leo climbed out with Rico behind him, carrying a gym bag and looking furious.
“Your dad sent you?” I asked.
“No.”
Rico shut his eyes. “He insisted.”
“I wanted to make sure you were okay,” Leo said. “Uncle Vittorio told Dad you made up a medical problem for attention.”
I felt anger bloom slowly, like heat beneath a kettle.
“Your father does have pain,” I said. “That's not a secret to anyone who watches him. But I haven't diagnosed him with anything.”
Leo stepped closer. “Uncle Vittorio says Dad used to be different.”
“How?”
“He played soccer with me when I was little. In the videos, he runs. Now he can't even bend over to pick up a ball without pretending he's tying his shoes.”
“Does he have those videos?”
“Some.”
He pulled out his phone and showed me a clip. A sunlit garden. A younger Mateo jogging after a toddler. A woman behind the camera laughing as the toddler shouted, “Papa!”
The woman said, “Careful, Leo, you’ll make him think he’s fast.”
Leo swiped to another video. A nursery. A birthday cake. A woman in a red sweater holding a sleepy child against her shoulder.
“My mom,” he said.
“She's beautiful.”
“People say that when they don't know what else to say.”
I looked at him. “What would you rather hear?”
“That she was funny. That she had bad days. That she got mad at people. I don't know anything real about her.”
He studied his screen. “Dad never talks about the fire.”
I asked him to sit. He did, sinking onto a folded mat as though he'd been holding something heavy for years.
“Leo, you don't owe me family secrets.”
“Neither do you,” he said. “But you looked at Dad yesterday like you saw him. Nobody does that. Everybody just watches what he might do.”
Before I could answer, an unknown number called. I ignored it. It rang again, then stopped. A voicemail appeared.
The voice belonged to a woman, older, exhausted, with a slight Chicago accent.
“If you're Gia Moretti, I know what happened at Mercer Terminal. Please don't trust the doctor who treated Mateo the night of the fire. I was there. I kept something I should have turned in.”
She gave a name: Miriam Keene.
Then the voicemail ended with a sound like a door shutting hard.
I played it twice, carefully. Nia, who had been standing nearby, watched my face.
“That's not about wrestling,” she said.
“No.”
I called the number back. It went straight to a disconnected-message recording.
Leo's eyes widened. “Mercer Terminal?”
“You recognize it?”
“It's where my mom died.”
Rico appeared in the doorway and said, “We need to leave, Leo. Right now.”
The boy stood. “Why?”
“Your uncle wants you home.”
I looked through the stairwell window. The black car remained at the curb. Behind it sat a white van.
The same van I had photographed.
I walked to Nia, handed her my phone, and asked her to call Dana and then the police. I didn't lower my voice. The van had already changed what this situation was, and hiding fear from teenagers never fooled them anyway.
Rico heard the request. His face drained.
“We can't use the usual route,” he whispered.
“Why not?” I asked.
“Because somebody asked me yesterday whether you'd be teaching here today.”
“Who?”
He looked at Leo. Then at me.
“Vittorio's driver.”
I told Leo to stay inside with Nia and the other coaches. He protested, then stopped when I said the one thing he had learned to respect on a mat: “Safety comes before pride.”
At the bottom of the stairs the white van's sliding door opened.
Two men stepped out.
Neither wore a uniform.
Neither looked up at the gym.
Instead, they crossed the sidewalk toward Rico's parked car, and one of them reached under his jacket.
For one absurd instant, I wondered whether I had left the gym's back window open. Then Nia called from upstairs that the younger students had been moved into the interior equipment room. A horn sounded on the street. Someone shouted in anger. My mind tried to measure distances: three flights to the alley exit, two locked doors to the storage area, one terrified teenager who would try to rush downstairs if nobody explained what was happening. I had spent years teaching kids to recognize a safe opening instead of fighting through panic. Now I had to practice the same lesson myself. I pushed the stairwell door shut, checked its latch, and gave Nia the short instructions we used during drills. Her reply came without hesitation. Behind me, Rico spoke rapidly into his radio, but the words broke apart beneath the roar of an engine. Nothing about this looked like a fight a person could win with a takedown. I knew that, and I refused to let anyone mistake my refusal to fight for surrender.
The first thing I heard was the crash of glass. The second was Leo upstairs shouting my name.
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And the third was Rico, who had carried a gun for years, yelling something I'd never expected to hear from a Moretti guard.
“Get the kids out! They didn't come for me!”