CHAPTER 6

Brooke's wrist remained in Owen Reese's hand for only two seconds.
It was enough for every person in the basement to see what panic looked like when it wore pearls.
"Let go of me," she said.
Owen released her immediately. "Don't touch the evidence."
"Evidence of what?" Brooke demanded. "A clothing label? A note from a dead woman?"
Tessa flinched at that phrase, but this time it did not silence her.
"My mother wasn't a note," she said.
Marla Pike looked over the magnifying glasses. "No, but she was particular. Corinne didn't sew payment notes into garments unless someone asked her to hide the bookkeeping from the wrong eyes."
Ward nodded slowly. "She did that for touring shows when the producers paid late."
Lillian Crowe took a photograph of the exposed label, then one of the half-cut cream patch. "This now affects the grant file."
Brooke's voice sharpened. "It affects nothing until authenticated."
"Agreed," Lillian said calmly. "Which is why the file will be reviewed."
Brooke heard the difference between exposure and review. Exposure could be shouted down. Review had forms, timelines, signatures, consequences. She turned to Malcolm as if he were the nearest door.
"Tell them," she said. "Tell them Tessa wasn't working with us in 2009."
Malcolm looked at the coat on the table.
The Tessa of old would have waited for him to rescue or condemn her. This Tessa watched him as a witness, not a husband. That seemed to unsettle him more than anger would have.
"She was working," Malcolm said.
Brooke's eyes narrowed.
"Unofficially," he added too quickly. "After the closure notices. She came in nights. Ward let her. Corinne was sick by then, and Tessa said the costumes would rot if nobody aired them."
Annika stared at him. "You knew she was here?"
Malcolm's throat moved. "I knew some."
"Did you know about the tuition check?"
He looked away.
That was enough to hurt her, but not enough to satisfy her.
"Dad," Annika said, louder. "Did you know?"
Brooke intervened. "This is not the forum for your family grievances."
Annika turned on her. "You made it the forum when you called my mother a thief in front of donors."
Tessa felt something loosen in her chest. Not forgiveness. Not yet. But the shape of a bridge.
Malcolm sat on an old trunk beside the wall. "I didn't know about the check at first. Brooke showed me the complaint and said the account was empty. I was angry. I wanted a reason to believe the marriage was already broken before I broke it."
The honesty was ugly. That made it more useful.
Tessa folded her arms to keep from shaking. "And later?"
He looked at Brooke.
"Later I found a carbon copy of a deposit slip in Brooke's old office. Same amount. Four thousand eight hundred dollars. But it was made to Harbor Bend Arts Renewal, not the costume account."
Lillian's head lifted.
"Harbor Bend Arts Renewal was Brooke's first nonprofit," she said.
Brooke's smile returned, thin as paper. "A perfectly legal entity that helped keep the arts alive in this town."
"With my daughter's tuition money?" Tessa asked.
Brooke's gaze flickered.
"You gave me a check for the theater. I deposited it into the only arts account still functioning. If Malcolm misunderstood, that's between you two."
Malcolm whispered, "You told me she stole it."
"You were eager to believe me."
The words were not a confession, but they were the truth. They struck Malcolm like a thrown glass.
Annika stepped back from both of them.
"So everybody used me," she said.
Tessa reached for her, then stopped. Annika was not thirteen anymore. She had the right to choose when comfort touched her.
Marla cleared her throat. "Since we're apparently digging up every bone in the yard, the coat has newer thread only on the top patch. The hidden label is older, hand-sewn, probably original to 2009. The cream patch was put on recently. Badly."
Brooke's mouth tightened. "Your professional opinion is noted."
"My personal opinion is that whoever did it should be banned from needles."
Ward barked a laugh.
Then Owen's radio crackled from his belt. He stepped aside to answer. His face changed as he listened.
"Say that again," he said.
The basement quieted.
Owen looked at Lillian. "My office pulled the digital permit backup. The continuity craftsperson form includes an electronic signature from Tessa Vale dated six months ago."
Tessa went cold.
"I didn't sign anything six months ago."
Brooke's eyes, for one foolish second, brightened with relief.
"Then perhaps someone impersonated you," she said. "That sounds like a matter for the police. Not me."
Lillian held up her hand. "Not so fast. Who submitted the packet?"
Owen listened again to the radio, then answered without taking his eyes off Brooke.
"Harbor Bend Arts Foundation. Authorized account holder: Brooke Sinclair."
Brooke's face hardened.
"Electronic submissions are handled by staff."
"Which staff?" Annika asked.
Brooke did not answer.
From the stairs came a small voice.
"I know who," said a teenage intern in a black usher vest.
Everyone turned.
The boy held a clipboard against his chest like a shield.
"Ms. Sinclair made me scan the signature page," he said. "But it already had Mrs. Vale's name on it before she gave it to me."
Brooke stepped toward him.
The intern stepped back.
And the clipboard slipped, spilling tonight's donor sign-in sheets across the basement floor.
On the top page, beside Brooke's own signature, was a second name written in the same blue ink.
May you like
Tessa Vale.
But Tessa had not signed in that night.